National Poetry Month #4

Screen Shot 2013-04-10 at 5.14.58 AM

I sit in my glass house unsure what the others are saying, thinking.

Do they see themselves, reflected? Like the night I hung my head upside down off that bridge and looked into the river to see you were there? Reflected in all that starstruck water.

Is that what those people see at night? My glass house a glimmering mirror of starlight?

My house.

It does more to keep them out than expose me.

Expose.

If there was a word like vulnerate, I’d invent it, because that’s what they’re doing. That’s what they’ve done.

But the glass of my house is dirty, and I am not going to wash it.

My house.

It does more to keep them out than expose me. It’s all about which side of the glass you share with the light. Or the dark.

You might find a chip in the frame, you might rub off the dust, remind me how it once was. I can’t say what you’d find. It’s hard to see myself in all that dirty glass.

National Poetry Month #1

So, I’m taking the challenge, but I’m off to a late start. It’s a great distraction from other things that need to be written, but sometimes that’s just the way it is.

solo_cc

The Stage

It’s what he wanted.

Isn’t it?

The limelight that he imagines will somehow extend his youth. The tight black jeans. The leather jacket.

The Doc Martins, for Chrissake.

They’re still in his closet. He stares at them as he grabs his beret. He’s replaced punk with Buddhism. New York with the forest. But the lilt of his voice still matches the sway of his torso as he

gasps…

to create pauses in his…

oral tradition.     Religion.

Did he really dedicate that poem to me? The one he called “Endurance”?

Our past lives shimmer through the fog, a nagging reminder of who we used to be.

Integrated Learning Project

A recurring thought: If people don’t compartmentalize life, why do we continue to insist on teaching content in compartmentalized ways? Integrating content areas is happening at colleges and universities as rapidly as public and private partnerships are emerging in communities. So here’s a radical idea: I’m about to use a design thinking challenge (Design Your Dream Center/Space/School for Children) as a final project in ECE 101 Introduction to Early Childhood Education and have students pitch their ideas to Business 101 students who will then create business plans for their ideas. (!) I can’t wait to see what happens!

Something from Nothing

During read aloud, I read Something from Nothing to the children. It’s a story of a little boy, a Jewish boy and his blanket that gets worn and turns into a vest that gets worn and turns into a necktie, then a handkerchief, then a button, and then is lost. I am surprised to find a tear in my eye at the end of the story when the protagonist of the story, a no-longer-little boy, does indeed create something from nothing. From his experience, he writes a story. And maybe my tears are there because I turned forty yesterday, and you, (yes, you Bud), wrote about getting unstuck on my birthday, and maybe it’s from all those stories I haven’t yet written. More likely, though, it is about a preschooler named Marisa*, institutionalized classism, and technology in early childhood.

“You called the cops on us,” was the opening line in an uncomfortable conversation, because, in fact, we did. Or, at least, someone at the school did. “They came to our house.” Marisa’s mom was embarrassed and ashamed.

In the weeks following this conversation, the warmth and ease of an interaction with Marisa’s family disappear. Note the awkward shuffle. The intention behind my smile. Do they notice that I still care? The eye contact that attempts to reassure. It’s okay, actually. It’s safe here. Despite. The hugs and encouragement for their daughter. Because they keep bringing her to school.

I watch Marisa as she manipulates our new ($500) iPad. She, like all other preschoolers, has learned to navigate the apps with ease after the initial tentative question: “How do you turn it on?” She collaborates with others as she works on literacy and numeracy, and sometimes just something fun. A doodle, maybe some piano.

And then I pause. What kind of lending library could I build with $500? Oh, yeah, I remember. The kind in which I never expect the books to come back. The kind that houses my all time favorites. The ones that have characters Marisa (and others) can relate to and understand as well as the ones that tell of an experience different than her own. With beautiful illustrations. The ones that will be asked to be read again and again.

Or, maybe, the story doesn’t have to live in a book. How can we give young children lasting, meaningful stories from nothing**? And, how does our expensive technology enhance or impede that?

*Name changed
**See future post on oral storytelling